It’s been quite a long blog break! This spring has been very busy, probably even more so than usual. If I can snatch the time I’ll come and tell you about some of the things I’ve been working at but for now I just wanted to show a new spinning fibre blend I’ve created and which will be available from this weekend.
When something interests me I like to look around and read around the subject rather than just focusing on one aspect. The collateral research enriches both my appreciation of something, further embeds the knowledge I’ve gained and frequently sparks new areas of interest or creativity.
I’m always on the lookout for new seeds of inspiration and in the past six months or so I’ve deliberately turned away from seeking that inspiration from within the same areas I work in and towards other sources. As a visual person I find it easier to look at something creative and then translate it into dyeing or textiles or colour schemes. But sometimes I think I’m at risk of repeating the same things because they appeal to me and so getting into something of a rut. So this has been a personal challenge to whet the blunt edges in my mind and hopefully spark new areas of interest or ideas.
One such small “spin-off” has been designing a new fibre blend. Whilst studying the work of two Welsh creatives, one a late artist and one a contemporary weaver, I found they had common ground in that they both travelled and studied in Welsh Patagonia. These travels informed their body of work and although I’d come across this Welsh colony in South America, coming across it again twice in quick succession intrigued me and made me look into this a little deeper.
The brief outline of this colony is that in the 19th century, a North Walian patriot, Michael D. Jones, proposed establishing a new Welsh colony overseas away from the influences of the English, to preserve “Welshness” and the Welsh language which he felt often disappeared in close proximity to other cultures and languages. The leaders of this movement considered several options around the globe. At that time, Argentina was offering incentives for peoples to emigrate and settle tracts of land and so the Welsh nationalists took up the offer and a colony settled there.
There’s a great deal more to the story; the misleading information given to the pioneers who struck out for a new world, the hostile environment they landed in, the hardships endured and losses encountered and the living they scratched and hacked from the harsh Argentine landbase that so very nearly conquered them. The co-operation of the native Tehuelche people (or Patagones as the Spanish called them) in assisting them to settle and the slightly dubious pay-offs from the Argentine government that induced them to “welcome” these benign Celtic invaders to their land. It’s not the purpose of this blog post to detail the whole story but it makes an intriguing, if rather baffling, tale for those who are interested in finding out more.
What struck me though was how very, very Welsh this story was. So gloriously and stubbornly Welsh…
In seeking to preserve a language and a culture, to give up homes and extended families, communities and comforts and transport ideology across an ocean to make more of a home in exile than the home you already live in. To chose separation from the thing you love best and to sacrifice that for a belief in a better version… I cannot really understand it. I admire it whilst at the same time feeling slightly … I don’t know… shocked? Perhaps that is too strong a word. Perhaps I am just too much of a British mongrel to understand the depth of Welshness. Perhaps I am too much of a home-bird to make sense of voluntary exile…
The second thing that struck me however was how wonderfully balanced the current Welsh Patagonian community are between their Argentine land and their Welsh roots. Speaking Spanish and Patagonian Welsh, with their unique blend of Welsh chapels and Chapel Teas and asados and gauchos, it would seem at first glance that the founding fathers had lost the end game of retaining the Welsh “purity” they seemed to value above all else.
And yet I can’t help feeling that this shows the power of humanity at its greatest, being able to retain its cultural identity whilst adapting to those around it. Blending those things so that they lie comfortably together and make something new and strong that they would not have had without each other.
It made enough of an impression on me that I wanted to further explore this in fibre!
So I’ve created “Patagonia” which is a rustic yet soft wool blend with subtle depths and textures.
Patagonia is created from Black Welsh Mountain and South American wools – Patagonia being a vast sheep farming area producing wool from mostly Merino, Corridale and similar breeds. (The pure Merino I already use is from either South America or South Africa from non-mulesed flocks). These very different wools are also blended with soft alpaca to represent other important fibre-producing animals from South America.
It spins up to a yarn with plenty of body and character which is great for those who find it harder to spin thicker yarns. I feel it would lend itself to great sweater – or poncho! – yarn (I fancy this is a project in my future!) and make garments that would be as equally at home on a Welsh mountain as on the pampas.
I’ve gradient dyed this batch and it will be available for sale at Wonderwool Wales this coming weekend 22nd-23rd April 2017 at Triskelion Yarns (stand G8 – Hall 1).
A further selection of dyed, carded and blended spinning fibres will also be available there too and I really recommend that even if you aren’t a spinner or felt-maker that if you’re a knitter going to Wonderwool this year that you put Triskelion Yarns high on your shopping list; gloriously saturated colours on interesting yarn bases hand dyed in West Wales.
That top quarter of Hall 1 is a pretty exciting place for hand-dyed colour-lovers altogether really as there are a cluster of amazing hand dyed fibre stalls up there including HilltopCloud and Oliver Twists the silk specialists, MandaCrafts (with amazing Qaria cashmere) Freyalyn’s Fibres and The Threshing Barn amongst others. If you’re ever stuck for inspiration as to how to spin indie-dyed fibre, Katie Weston of HilltopCloud is also launching her new Spinning Hand Dyed Fibre guide at the show. Written by a sought-after UK spinning teacher, this is sure to be packed with useful tips and information for getting the best out of your show purchases so don’t forget to go and get a copy!