It’s a while since I blogged here … I have been busy I promise!
Over in my Ravelry group we’ve kicked off on the Tour de Fleece – the annual friendly challenge in the spinning calendar where we spin along during the Tour de France, usually setting ourselves some personal spinning challenge be it spinning every day, spinning a set amount or learning a new technique.
On Team BarberBlackSheep we’re generally very laid back and relaxed. This is our fifth year of toddling along gently behind the more determined teams and we’re loosely involved in spinning down stash this year. So often I hear people say they’ve reached SABLE (stash acquired beyond life expectancy) or that they’re on a fibre diet. So I thought it might be a good idea to dig around and bring out some of those long-lost beauties we’ve acquired and spin them up. To that end I dubbed us Indie Dyer Jones and the Raiders of the Lost Stash. There are already some lovely yarns being produced – if you’re taking part and on social media do let me know so I can share or regram your pictures.
My personal challenge is to spin up some of my Tea Garden braids to weave into a blanket. So far I’ve spun almost half of them – let’s hope I finish it by the end of the Tour!
I’ve also been playing with some new fibres and blends though and this is one of them. I have an abiding love of texture in things and although we often aim for smooth fine yarns as spinners, I have a secret love for arty lumpy bumpy yarns too. I also have a love of silk; it was my first dyeing business when I was still in my teens and I made hand painted silk scarves and I’ve always loved how silk enhances colour in the way it’s fibres reflect light and the intensity of the resulting colours.
It’s also rather fun to spin and I had an idea for upping the fun quotient! I’ve dyed some silk lap – this is the waste silk left on the drum after carding and is cut off in a large glorious sheet of textured silk fibres like a silk duvet.
My first skein is spun silk plied on itself. The idea is to spin this retaining the raggedy textured appeal so I spin it long draw, supported so as to attenuate the fibres and distribute the twist evenly. Just because it’s deliberately fluffy doesn’t mean the yarn is unstable – you want to trap the fibre securely within the yarn and being silk it needs a reasonable amount of twist. It has a soft hand, feels slightly like a chenille and is drapey. This isn’t a yarn that will stand up to a huge amount of abrasion but for small luxury items is soft and almost woolly feeling with all the beauty of silk.
To mix things up a bit I decided to play around a bit more with the texture idea for my second skein. I carded up a batt from hand dyed wool and silk fibres – I used shetland and merino, tussah silk and a dollop of silk noil with a touch of sparkle and just gave it two passes aiming to keep variation in colour and texture.
I spun the silk lap supported long draw as before to make the textured fuzzy single and then plied with a slightly slubby single spun from the batt. The resulting yarn still has subtle texture but has slightly more body and bounce and less drape than the pure silk yarn and so has a wider range of applications.
So if you’ve fancied spinning some textured yarns but are slightly worried about new techniques for art yarns this might be a nice way to ease yourself into them with a simple 2-ply yarn where the fibres themselves do the texture.
The silk lap are dyed in small amounts and should be available in the hand dyed fibre section of the shop this coming weekend.