Having introduced you to the colours of the Island Song collection last week and their inspirations, I’m now going to show you the colours all together and then in another post I’ll do a series of just pictures showing the colours in different combinations to help give ideas for putting them together.
These images are all displaying the colours on North Ronaldsay heavy lace weight yarn – it was the one yarn I had in 100g skeins in stock to test the colours one last time and I needed all of them together to take colour photos. This is a really lovely yarn, it’s crisp and not especially soft at first but softens with handling. I’ve yet to knit it up myself (too many projects on!) but it’s begging to be made into a lace shawl or perhaps a vest or cardigan, the 2-ply structure will show off the lace stitches beautifully and snap cleanly round the edges of yarnovers. At this time I have only one of each skein which will go in the shop shortly after the Welsh Yarn but I’m hoping to get more of this “island” yarn back in stock at some point in the future.
I’ll be offering the colours first on two weights of the Welsh Mule yarn – one is a heavy DK/worsted 3 ply yarn perfect for squishy warm garments and the other a fingering/sport weight 2 ply which would work equally well as finer gauge garments or for lace shawls or small items like hats, mittens and children’s clothes; it’s a very soft yet robust yarn so will be perfect for items worn next to the skin.
Because of these attributes I’m offering the different weights in different skein sizes. The DK/worsted yarn will be available for now in 50g skeins and the fingering/sport weight in 100g skeins and a mini skein I’ve yet to finalise but most likely 25g. This will allow versatility in buying quantities for colour work or stripes, small items and still have larger skeins in the finer yarn for lace shawls where it’s good to avoid weaving in ends where possible.
For those who are interesting in colour-work I’ve turned some of the yarn photos into grayscale so you can see the colour intensity. This isn’t a subject for this blog post but colour work aficionados will know that for successful colour contrast in stranded knitting, you need a contrast in colour intensity as well as colour to make the shades pop out and work together rather than being lost in amongst shades of similar depth. This is a subject that has been addressed by many other far more knowledgeable knitters than myself so I suggest you google for more information.
Here’s the colours of Island Song.
And the same photograph turned into grayscale.
You can see that the shades range from almost white to almost black once the hues have been cancelled out. Picking out my favourite range of aqua blues and greens (to the left) for colourwork would leave me with quite an insipid pattern, I would need to mix it up with some of the other shades to give it some muscle.
However for stripes and some other kinds of knitting colour design you can choose whatever you like. You could go for a contrasting selection on a harlequin sweater with contrast sleeves or blocks of colour in the construction or intarsia. Or you might choose gentle shading and gradients or perhaps a delicate edging on a shawl or collar, hem and cuffs.
The choice is yours and the possibilities really wide!